Primitive portrait of Reverend Ebenezer Gay of Suffield, Connecticut. Oil on canvas. Unframed. Unsigned. Circa 1770s. Size: 35.5 inches x 29 inches. This portrait is very similar to one attributed to the portrait painter Winthrop Chandler that was published by David A. Schorsch in his exhibition catalog in 1989 and which recently sold at auction at Sotheby's in Sept. 2010. Our portrait has descended through the family of Ebenezer Gay's daughter, Lucy Gay Swan, of Woodstock, Vermont...
An antique still life painting of fruit and berries with a red breasted grosbeak. Unsigned, but probably of either a Dutch or German origin. 18th century. Oil on canvas (relined) and offered in an antique walnut ogee molded frame. This painting is a delightful and realistic rendering of grapes, plums, gooseberries, peaches and cherries, with a red breasted grosbeak perched on the fruit. Canvas size: 17.5 inches x 21.5 inches...
Hannah Maria Hudson (British, c.1810-1865) - Portrait of Mrs. S.A. Butterfield. Oil on canvas. Dated February 1835. Size: 18 inches x 14 inches. Stenciled signature, title and date to the reverse of canvas. An attractive small work by the British female portrait artist, Hannah Maria Hudson. The sitter is identified on the reverse of the canvas. She is wearing a lace bonnet and a black dress, draped with a green shawl, and adorned with a pearl brooch...
Fine surimono colored woodblock print of Eggplants by Totoya Hokkei (Japanese, 1780-1850). Circa. 1825. From the series, “Three Lucky Dreams”. Image size: 7 1/2” x 6 3/4”. Very good condition for its age, but with some light spotting.
Portrait of British officer Benjamin Everard. Oil on canvas. Circa 1813. Size: 22.5" x 16.5" Offered in an antique lemon yellow gilt frame, which is stamped "G.A. Plowman, Builder." This full length unsigned portrait of a British officer in uniform, with dress sword and cap, is identified by an early label, affixed to the stretcher, as "Benjamin Everard, Ensign 21st Foot, 25 Feb...
West Rutland Valley, Vermont by James Hope (American, 1818-1892). Oil on canvas, 30” x 40”, signed and dated 1860 lower left. James Hope was a noted portrait, landscape and historical genre painter who was active in Rutland County, Vermont and later in Watkins Glen, New York. His work shows the strong influences of his friend and fellow painter, Frederick Church...
Alfred Thompson Bricher (American, 1837-1908) landscape painting, titled 'Spring'. Oil on canvas. Signed A.T. Bricher in lower left and dated 1864. Size: 12 inches x 10 inches. Offered in the original carved gilt wood frame. A small pastoral landscape with a lazy book in the foreground, bordering a fenced and stone walled pasture with grazing cattle and sheep...
Henri de Toulouse-Lautrec (1864-1901) - Yvette Guilbert. This colored lithograph is an original page from the weekly satirical newspaper "Le Rire", published in 1894. Toulouse-Lautrec produced 10 colored drawings for this humorous periodical over a period of three years, from 1894-1897. This illustration is of Yvette Guilbert, a music hall performer, who thrilled Parisian audiences with her audacious songs, curious smile and gestures with her long black gloves. She was one of his favorite th...
John Joseph Enneking (American, 1841-1916) landscape painting of a wooded scene at sunset with distant church spire. Oil on canvas. Signed lower right and dated 1877. Size: 18 inches x 26 inches. Original gilded frame (as-found). John J. Enneking was one of the most important New England artists of the 19th century. This tonalist landscape, with its subdued earth-tone palette, demonstrates the styles and artists which influenced Enneking's art: tonalist Camille Corot, Barbizon school paint...
Bridge Crossing A Weir landscape painting by Joseph Antonio Hekking (Netherlands/American, 1830-1903), oil on canvas, signed on fence in lower right. Canvas size: 18 inches x 30 inches. Offered in an antique gild wood frame. Condition: professionally restored and re-lined. J.A. Hekking was a 19th century landscape painter. Born in 1830, he emigrated from the Netherlands to Cherry Valley, New York. He exhibited paintings of the Adirondack Mountains at the National Academy of Design in NYC. H...
A scarce artist's fully articulated wooden mannequin, probably French. 19th century. Size: 19 inches ht. Mannequins were an important tool in the artist's studio. Each was carved to model the human form and utilized wooden ball joints that allowed the figure to be manipulated into realistic positions. In our example, the face has been carved with facial details, as well as the hands, rib cage and feet.These figures were used in the artist's workshop and were frequently passed down from maste...
Thomas Moran (American, 1837-1926) - Bridge in the Pass of Glencoe, Scotland. Etching and mezzotint on Japan paper. Second state 1888 (originally published in 1882). Signed by the artist in pencil T. Moran in lower left margin and signed in the plate lower right, together with thistle remarque. Published by Estes and Lauriat. Ref.: Klackner 29. Image size: 9 1/8 inches x 11 1/2 inches. Thomas Moran was an eminent American painter and printmaker, who is known for his depictions of the natural lan...
Norbert Goeneutte (French, 1854-1894) genre painting of a Parisian bookseller. Oil on wood panel. Dated 1881. Size: 12 1/8" x 16 1/8". Signed lower right. Condition: excellent. Goeneutte was a painter of genre scenes, portraits and urban landscapes. He is best known for his depictions of everyday life in Paris, with particular attention to the women of the city.
Lower Hollow, Dorset, Vermont landscape painting by Edward Burrage Child (American, 1868-1937), oil on canvas, dated 1894. Size: 18 inches x 24 inches. Offered in an Arts and Crafts style carved gilt wood frame. This is the earliest image of Dorset Hollow that we have come across, and is a fine example of the work by the southern Vermont artist, Edwin Burrage Child. Edwin Child undertook formal training at the Art Students League in New York City and became assistant to John Lafarge in his pa...
Charles Abel Corwin (American, 1857-1938) - Morgan horse in a Pasture. Signed and dated 1896 in lower left. Oil on canvas. Size: 22 inches x 38 inches. A stunning portrait of a horse standing in a pasture setting, bordered by field stone walls, with haystack and farm buildings in the distance. This painting was found in Woodstock, Vermont and was most likely a commissioned work. Charles Abel Corwin was born in Newburgh, New York, and most of his career was spent in New York City, where he ...
'The Temptation of St. Anthony' by Edouard De Beaumont (French, 1821-1888), oil on canvas. Circa 1850s-1860s. Size: 30 inches x 20 inches. Charles Edouard de Beaumont was son of the sculptor, Jean-Baptiste Beaumont, and Charles studied under the artist Boisselier. He was primarily a lithographer but also painted in oils, and founded the Society of Watercolourists in 1879. Offered in an antique gilt wood frame. Signed in the lower left. Painting has been professionally restored and relined.
Joseph Rodefer DeCamp (American, 1858-1923) painting after Titian of Virgin and Child with Saints, oil on canvas, dated 1881, 37" x 52" (49.5" x 64" frame size). This painting is similar to two paintings by Titian, 'The Virgin and Child with Infant Saint John and a Female Saint or Donor ("The Aldobrandini Madonna")' in the collection of the National Gallery, London and 'The Madonna and Child with a Female Saint and the Infant Saint John the Baptist' in the collection of the Kimbell Art Museum, ...
"Lady Suttie" after Sir Henry Raeburn, R.A. (Scottish, 1756-1823) by Agnes Cambell Imlach (Scottish, 1848-1916). Dated 1889. Oil on canvas in original carved giltwood frame. This portrait is a copy of an original by Scotland's most noted painter of portraits, Sir Henry Raeburn. This copy has descended in the Grant-Suttie family since its being commissioned and was painted by a Scottish female painter, Agnes Campbell Imlach, being signed on the verso of the canvas. The sitter is Lady Katheri...