Catalog: Sold Items (584)

Ornate plique a jour translucent enamel coffee spoon in unmarked gilt silver. Probably Norwegian. Early 20th century. The bowl decorated in polychrome enamels with a blue enamel border and with a foliate and berry center that mirrors the floral enamel finial. Condition: missing a portion of one cell in the enamel border of the bowl. Size: 4.75 inches.

Small size ovoid redware pottery jar in a glossy brown speckled glaze. 19th century, Size: 6 inches high x 5.5 inches diameter. Condition: some glaze wear to top rim; small chips to foot ring and firing craze to interior glaze (does not penetrate the body of the vessel and not visible from the exterior).

Walton Blodgett (American, 1908-1963) - Artist at Work. Pencil on paper. Circa 1930's. Size: 7.5 inches x 10 inches. Unsigned but bearing the embossed stamp of the Walton Blodgett Estate. Walton Blodgett was an American watercolor painter, illustrator and teacher. Born in Cleveland, Ohio, he studied at the Grand Central Art School and then with George Luks at the Art Students League in New York. He illustrated for 'Fortune' and other magazines to supplement his income...

A PP53 Perthshire pressed glass concentric millefiori paperweight. Crieff, Scotland. Circa 1985. Size: 2.5 in. diameter. With paper label and signed with a 'P' in the center cane. Excellent condition.

A Georg Jensen, Denmark cake knife in Acorn pattern, with sterling silver handle and stainless blade. Size: 8.75 in. length. Excellent condition. Marked on handle and on blade.

A scarce Arts & Crafts style silver serving spoon by Richard Blanchard, hand wrought in sterling. Circa 1910-1920. Richard Blanchard was the son of George Porter Blanchard who worked with Arthur Stone. Richard first applied his craft in Boston where he was listed as a Member of the Society of Arts and Crafts, Boston, from 1913-1921. In 1925 Richard Blanchard moved to Burbank, California, where he entered into partnership with his brother, Porter Blanchard...

Carved bone and ebony Civil War era dominoes. Mid 19th century. This complete set is comprised of 28 tiles carved from bone, laminated onto ebony, secured with brass pins. They are offered in their original wooden case with sliding cover. Box measures: 6.75" x 2.25" x 2.4". Condition is very good, but exhibiting some signs of wear and minor chipping to some tiles. All in all a great early game.

Walton Blodgett (American, 1908-1963) - Boat in Dry Dock. Pencil on paper. Circa 1930's. Size: 7 inches x 13 inches. Unsigned but bearing the embossed stamp of the Walton Blodgett Estate. Walton Blodgett was an American watercolor painter, illustrator and teacher. Born in Cleveland, Ohio, he studied at the Grand Central Art School and then with George Luks at the Art Students League in New York. He illustrated for 'Fortune' and other magazines to supplement his income...

A small size Victorian mahogany trinket box with brass embellishments and swing-out compartments. Late 19th century. Size: 8 in. length x 5 in. height x 4.25 in. depth. Possibly converted from a sewing box. Attractive fabric lining. Excellent condition.

Two ironstone soup plates by Minton in the Imari "Oriental Japan" pattern, #5194, with impressed triangle date mark for 1843. Size: 10.25" diameter. Excellent condition with no chips, cracks, staining or restoration, just some light crazing. Underglaze blue backstamp with pattern name and impressed "BB New Stone" (for Best Body ironstone).

Coin silver table spoon by Frederick Marquand in the fiddle and thread pattern. Circa 1820s. Frederick Marquand worked in Savannah, Georgia and in New York City. From 1820-1826 he worked in Savannah and then relocated to NYC . It is likely that this spoon was manufactured during his time in Savannah. Size: 8 3/4 inches length. 2.85 troy ounces. Engraved on handle with script initial 'F.' Excellent condition with no dings or wear to the bowl. Hallmarks are crisp and legible.

A vintage bird bath for the garden. Cast in concrete of a single piece, with octagonal top and pedestal base with trailing vine motif. Size: 22 inches height x 16 inches diameter. Can be used either as bird bath or as a planter in your garden.

A French Manche a Gigot bone holder used to secure a leg of lamb or mutton while carving. The handle bears the French guarantee mark of the first silver standard (.950) and the holder, with its crown shaped terminal and trefoil screw, is of silverplated steel. Circa 1860-80. Excellent condition. Length: 8 3/8 inches.

English Art Nouveau style sterling silver teaspoon by A.E. Jones, Birmingham, 1928. Length: 5.25 inches. Excellent condition. This handwrought spoon has a hammered spade-shaped bowl and a pierced, figural foliate finial. Fully hallmarked on the reverse of the bowl. Excellent condition with no damage or repairs. Legible hallmarks. A scarce little spoon.

Antique dinner gong on stand. Circa 1920s. Size: 20 inches Lg. x 21 inches ht. x 12 3/8 inches deep. Found in Wiscasset, Maine. A xylophone style five tone dinner gong affixed to a wooden stand.

Walton Blodgett (American, 1908-1963) - Train Station. Pencil on paper. Circa 1930's. Size: 7 inches x 9 inches. Unsigned but bearing the embossed stamp of the artist's estate. Walton Blodgett was an American watercolor painter, illustrator and teacher. Born in Cleveland, Ohio, he studied at the Grand Central Art School and then with George Luks at the Art Students League in New York. He illustrated for 'Fortune' and other magazines to supplement his income...

Stokesay Castle by John Taylor Arms (American, 1887-1953), original etching on wove paper, pencil signed in lower margin, edition of 365. From his English Series #9; ref. Fletcher 369; miniature series #30. Dated 1942. Plate size: 2 1/4 in. x 2 15/16/in. Excellent condition and offered in the original gilded frame, with original description affixed to the reverse of frame. John Taylor Arms was born in Washington, D.C...

The Garden - by Mary Azarian. An unsigned early wood block print by this famous Vermont printmaker and illustrator. Circa 1970s. Size: 24 in. x 14 in. Offered in a hand-made wood frame. The text most appropriately reads: "When The World Wearies And Ceases To Satisfy, There Is Always The Garden."