Catalog (114)

Vintage 'Old Salt' fisherman cast iron doorstop in original paint with yellow oil skin foul weather jacket. Early 20th century. Size: 7 inches ht. Some chipping to paint.

Vintage trotting horse folk art small hooked rug or mat. Size: 15 inches x 21 inches. Circa 1920s-1930s. Nice condition.

A large repousse decorated sterling presentation trophy goblet - London, 1866, by Henry Holland and Company. Size: 9 7/8 inches ht. Weight: 15.5 Troy ozs. The inscription reads: Presented by the Trustees of the Pontypool Park Estate for Competition by No. 1 (or Pontypool) Company of the 2nd Monmouth Rifle Volunteer Corps. 1866. The winner's name is etched into a cartouche on the reverse side - Sgt. Robert W. Wallace, 2nd Monmouths. Excellent condition.

An English Victorian sterling silver presentation trophy, London, 1872, by John and Henry Lias (probably). Size: 9 5/8 inches ht. Weight: 12.5 Troy ounces. This is a 1st Place prize for "Sailing Boats Under 24 Feet, Won By The Petrel, C.H. Simmons." And on the reverse in a cartouche - "G.A.R. 1st Prize, Sept. 5, 1872." Decorated in flat chasing in the Aesthetic Movement style. Excellent condition.

English Victorian sterling silver large size goblet, London, 1868, by William Henry Curry, adorned with raised chased grape vine motifs. Size: 9 inches ht. Weight: 11.14 Troy ounces. No monogram. Excellent condition.

A large sterling silver trophy goblet for the Victoria Hotel Wolverton Billiard Handicap. London, 1901. by Robert Pringle and Sons. Size: 11 inches ht. Weight: 15.5 Troy ounces. "Won for the first time by Mr. H.S. Dunleary, December 1901." The with subsequent winners names in Jan. and Mar. 1904. Excellent condition.

A large size sterling silver trophy goblet - Hoddesdon Xmas Market, Sheffield, 1905, by Harry Atkins. Size: 9 inches ht. Weight: 9,3 Troy ounces. Engraved inscription: "Hoddesdon Xmas Market 1905 Open Challenge for the best Bullock or Heifer, the Property of a Tenant Farmer.

An English sterling silver presentation goblet, London, 1861, by Daniel Houle and Charles Harris. Size: 6 inches ht. Weight: 6 Troy ounces. The presentation inscription reads: "James Flack to Dennis Adams Esq'r. for his Great Liberality and Perseverance in assisting to establish the Cambridge Harriers, 28 June 1861"

American art pottery corsetted tall vase by Marblehead Pottery in a matte green glaze. Size: 8.75 inches ht. Mint condition.

Hampshire Pottery American art pottery vase in an unusual pink over matte grey glaze. Early 20th century. Size: 4 inches ht. Mint condition.

A large-size Native American pottery olla from Acoma pueblo, Zuni tribe, New Mexico. The pot is hand-coiled and shard fired and painted in red and black on white with encircling bands of stylized figures of deer and roadrunners. Circa 1910-1915. Size: 19.5 inches ht. x 16.5 inches in diameter. Very good condition with no chips, cracks or repairs. Name of the original owner written in light pencil on the inside of the rim. Rare to find an olla of this large a size and in such wonderful condition....

James Abbott McNeill Whistler (American, 1834-1903) - Palaces, Venice. Etching and drypoint in black ink on heavy Japan paper. Signed in pencil in lower left margin with a large butterfly and 'imp'. Ref: Kennedy 187, second state of three. Bearing a David Tunick, Inc., New York, gallery label on the reverse. Size: 10 inches X 14 /14 inches. Offered framed. A rare etching by this great American artist issued in 1879-80. This etching is the second state of three. 'The Palaces' is from the first ...

A large Hudson River school Luminist landscape painting in a very ornate carved gilt wood frame. Unsigned. Oil on canvas. 2nd half 19th century. Canvas size: 30 inches x 42 inches. A dramatic canvas in the Luminist style, with a dark, rocky pond in the foreground and a distant mountainous skyline glowing in shades of pink and yellow from the light of a setting sun. The frame bears a Philadelphia framer's label on the reverse. Condition: an old patch to a small puncture, visible from the reve...

Diana Leaving the Bath (Diane Sortant du Bain), after Francois Boucher (French, 1703-1770). Oil on canvas. 2nd half 19th century. Offered in an antique tin over wood frame. This is an unsigned 19th century copy of the Francois Boucher original that was acquired by The Louvre, in Paris, in 1852. This copy was probably created within twenty-five years after Boucher painted his original.

China Trade painting - "Coastal Village Scene With Anchored Junk". Oil on canvas. Circa: late 19th C. Size: 17 3/4 inches x 23 1/2 inches. Unsigned. A painting from the China Trade school depicting modest homes along a coastal estuary, together with the local inhabitants and a 'junk' at anchor. Offered in a black and gold wood frame and retaining a Quester Gallery label, Stonington, CT. Professionally restored and relined on a new stretcher.

Eric Tobin - Winter Birches, oil on canvas, 2005, signed in lower right and titled on the reverse. Size: 30 inches x 36 inches. Eric Tobin is a contemporary Vermont landscape artist. He resides in the northern part of the state in Johnson, VT. Tobin was greatly influenced by the Vermont landscape painter, Thomas Curtin, whom Tobin knew from his childhood and from whom he received his first set of paints. Tobin painted exclusively 'en plain air', or outdoors while actually viewing his scene. T...

Early American Chippendale period tall blanket chest. 18th century. Size: 46 1/2 inches high x 41 inches wide x 19 1/8 inches deep. New England origin with a lift top above two faux drawer fronts over three real drawers, and retaining the original snipe hinges. Fancy cut-scroll bracket base and apron. Brass bail handles are replacements. A rare and early tall blanket chest in a blonde finish.

'On the Balcony' - by Arthur Bowen Davies (American, 1862-1928). Oil on artist board. Signed in lower left. Size: 16 inches x 12 inches. A full-length portrait of a young girl standing on a balcony painted by the prominent American artist Arthur Bowen Davies. Offered in a period gilt wood frame. Davies was born in Utica, New York, and began drawing at an early age. When he relocated to Chicago, he attended the Art Institute of Chicago and later the Art Students League in New York City. Hi...